La conciliación de la estética y la ética en el arte animalista contemporáneo
Palabras clave:
Maltrato animal, Arte animalista, estética, ética, conciliación
Resumen
Este artículo aborda el problema de las relaciones entre estética y ética en el arte animalista. El punto de partida es la afirmación del arte como ámbito adecuado para tratar el maltrato y la crueldad que los animales reciben por parte de los seres humanos. Los animales se usan por un arte sin intención animalista y con pretensiones simbólicas, o por un arte propiamente animalista. El problema ético principal que se plantea afecta al arte animalista que, con la intención de defender éticamente a los animales, los trata cruelmente. El método del trabajo es la interpretación hermenéutica de textos y obras de arte. El objetivo es aclarar el problema de la conciliación de lo estético y lo ético en el arte animalista actual. Se concluye que la solución al problema de la relación entre estética y ética reside en que lo estético sea algo interior a lo ético.
Citas
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TISDALL, C. (2008). Joseph Beuys: Coyote. Thames and Hudson.
WATT, Y. (2011). Artists, Animals and Ethics. Antennae, 19, 62-72.
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WOLFE, C. (2010). What is Posthumanism? University of Minnesota Press.
BAKER, S. (2000). The Postmodern Animal. Reaktion Books.
BAKER, S. (2006). You Kill Things to Look at Them: Animal Death in Contemporary Art. En The Animal Studies Group, Killing Animals (pp. 69-95). University of Illinois Press.
BAKER, S. (2013a). Artist/Animal. University of Minnesota Press. https://doi.org/10.5749/minnesota/9780816680665.001.0001
BAKER, S. (2013b). Animals, Artists and the Question of Ethics. University of Minnesota Press, 30 January. http://www.uminnpressblog.com/2013/01/animals-artists-and-question-of-ethics.html
BARTHES, R. (1970). Mythologies (1957). Seuil.
BEUYS, J. (1993). Interview with W. Sharp (1969). En Kuoni, C. (edra.) Energy Plan for the Western Man – Joseph Beuys in America. Writings and Interviews with the Artist (pp. 77-92). Four Walls Eight Windows.
BROGLIO, R. (2011). Surface Encounters: Thinking with Animals and Art. University of Minnesota Press. htttps://doi.org/10.5749/minnesota/9780816672967.001.0001
BURT, J. (2002). Animals in Film. Reaktion Books.
CHAPMAN, K. (2003). The Human Zoo. Hatton Gallery, 28 June. http://www.undo.net/it/mostra/14984
CHERRY, D. (2000). Beyond the Frame: Feminism and Visual Culture, Britain, 1850–1900. Routledge. https://doi.org/10.4324/9780203351314
COUSINS, M. (1994). Danger and Safety. Art History, 17(3), 418-423.
CRONIN, J. K. (2018). Art for animals: visual culture and animal advocacy, 1870–1914. The Pennsylvania State University Press. https://doi.org/10.5325/j.ctv14gpbw4
DANTO, A. C. (2003). The Abuse of Beauty: Aesthetics and the Concept of Art. Open Court.
DERRIDA, J. (2008). El animal que luego estoy si(gui)endo (2006). Trad. de C. Peretti y C. Rodríguez Marciel. Trotta.
DION, M, (2017). Some Notes Towards a Manifesto for Artists Working With or About the Living World. En Erickson, R. y Dion, M. (eds.) Misadventures of a 21st-Century Naturalist (pp. 84-85). Yale University Press-Institute of Contemporary Art.
GIONI, M. (2007). Where the Wild Things Are. Tate Etc, 11, 35. https://www.tate.org.uk/tate-etc/issue-11-autumn-2007/where-wild-things-are
GRUEN, L. (2015). Entangled Empathy: An Alternative Ethic for Our Relationships with Animals. Lantern Books.
HANSON, K. (1998). How Bad Can Good Art Be? En Levinson, J. (ed.) Aesthetics and Ethics: Essays at the Intersection (pp. 204-226). Cambridge University Press.
HARAWAY, D. (1978). Animal Sociology and a Natural Economy of the Body Politic, Part II: The Past Is the Contested Zone: Human Nature and Theories of Production and Reproduction in Primate Behavior Studies. Signs, 4(1), 37-60.
HARAWAY, D. (2008). When Species Meet. University of Minnesota Press.
HARRIES, M. (2007). Regarding the Pain of Rats: Kim Jones’s Rat Piece. TDR: The Journal of Performance Studies, 51(1), 160-165. https://doi.org/10.1162/dram.2007.51.1.160
HEGEL, G. W. F. (1989). Lecciones sobre la estética (1820-29). Trad. de A. Brotóns. Akal.
KEAN, H. (1998). Animal Rights: Political and Social Change in Britain Since 1800. Reaktion Books.
HORTA, Ó. (2017). Un paso adelante en defensa de los animales. Plaza y Valdés.
KRAUSS, R. (1999). ‘A Voyage on the North Sea’: Art in the Age of the Post-Medium Condition. Thames and Hudson.
LONGSTAFF, S. (2003). Animal Rights and Artistic Freedom. Arts Law Centre of Australia 30 June. http://www.artslaw.com.au/articles/entry/animal-rights-and-artistic-freedom
LOSTEDT, M. (2020). Perttu Saksa’s work on our relationship with the environment. http://www.perttu saksa.com/text1Lummaa
LUHMANN, N. (2005). El arte de la sociedad (1995). Trad. de J Torres. Herder.
MCCAUGHEY, P. (2008). On the Edge. The Australian, 7 June.
MILLER, M. E. (2012). Miru Kim’s Nude Art with Pigs Made Them Sick, Activist Says. Miami New Times, 12 January. http://www.miaminewtimes.com/2012-01-12/news/miru-kim-s-nude-artwith-pigs-made-them-sick-activist-says/full
MITCHELL, W. J. T. (2005). What Do Pictures Want? The Lives and Loves of Images. University of Chicago Press. DOI: 10.7208/chicago/9780226245904.001.0001
ORR, D. (2002). The Nature of Design. Ecology, Culture and Human Intention. Oxford University Press. https://doi.org/10.1093/oso/9780195148558.001.0001
PACHIRAT, T. (2011). Every Twelve Seconds: Industrialized Slaughter and the Politics of Sight. Yale University Press. https://doi.org/10.12987/9780300152685
PLATÓN. (1988). La República. Trad. de C. Eggers Lan. En Platón, Diálogos IV. Gredos.
RIFKIN, J. (2009). The Empathic Civilization: The Race to Global Consciousness in a World in Crisis. Jeremy P. Tarcher/Penguin.
RITCHIN, F. (2013). Bending the Frame: Photojournalism, Documentary, and the Citizen. Aperture.
SINGER, P. (2011). Beyond Animal Liberation. Interview by Giovanni Aloi. Antennae, 19, 9-15.
THOMPSON, N. (2005). Becoming Animal: Contemporary Art in the Animal Kingdom. MIT Press.
TISDALL, C. (2008). Joseph Beuys: Coyote. Thames and Hudson.
WATT, Y. (2011). Artists, Animals and Ethics. Antennae, 19, 62-72.
WILDE, O. (2006). The Picture of Dorian Gray (1890). Oxford University Press.
WOLFE, C. (2010). What is Posthumanism? University of Minnesota Press.
Publicado
2025-04-01
Cómo citar
GUTIÉRREZ-JORDANO, C. (2025). La conciliación de la estética y la ética en el arte animalista contemporáneo . Utopía Y Praxis Latinoamericana, 30(109), e15098806. Recuperado a partir de https://produccioncientificaluz.org./index.php/utopia/article/view/e15098806
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